Tabu, or: Storytelling and the power of juxtaposition

Tabu (2012) This analysis has been moved here.

Django Unchained, or: Quentin Tarantino's most mature take on violence

Django Unchained (2012) Directed by Quentin Tarantino ***SPOILERS*** As easy as it is to identify a Quentin Tarantino film, he has, believe ...

The Comedy, or: The use of William Basinski's "The Disintegration Loops"

This analysis has been moved here.

The Color Wheel, or: An aimless generation

The Color Wheel (2012) Directed by Alex Ross Perry ***SPOILERS*** For some reason, the only comparisons I want to associate with Alex Ross P...

In Another Country (다른 나라에서), or: The use of zooms in the art of puppeteering

In Another Country (2012) Directed by Hong Sang-soo ***SPOILERS*** People who say Hong Sang-soo makes the same movie over and over have...

Vamps, or: So, the funny thing about satire is...

Vamps (2012) Directed by Amy Heckerling ***SPOILERS*** I LOOOOooooOOOoooooOOOOve Eric Henderson for all of eternity, beyond my simple a...

Skyfall, or: Taking on a 50-year burden

Skyfall (2012) Directed by Sam Mendes ***SPOILERS*** “Action” has never really been my genre, in the sense that I don’t actively seek o...

Looper, or: Selfishness and violence and all its consequences

Looper (2012) Directed by Rian Johnson ***SPOILERS*** When director Sam Peckinpah held a fiery demeanor in defending his masterfully bloody ...