The ABCs of Death: A giant limerick for a giant gimmick

This analys...err, limerick, has been moved here .

Tabu, or: Storytelling and the power of juxtaposition

Tabu (2012) This analysis has been moved here.

Amour, or: Michael Haneke's misused shot selection and abuse of the horror genre

Amour (2012) Directed by Michael Haneke ***SPOILERS*** In David Sorfa's essay "Uneasy Domesticity in the films of Michael Haneke...

Holy Motors, or: The most extravagant one-note experience of your life

Holy Motors (2012) Directed by Leos Carax ***SPOILERS*** Holy Motors  is seriously challenging an idea I thought would never cross my mind: ...

Django Unchained, or: Quentin Tarantino's most mature take on violence

Django Unchained (2012) Directed by Quentin Tarantino ***SPOILERS*** As easy as it is to identify a Quentin Tarantino film, he has, believe ...

The Comedy, or: The use of William Basinski's "The Disintegration Loops"

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Citadel, or: Did you know blind people are BLIND?!

Citadel (2012) Directed by Ciaran Foy ***SPOILERS*** Patton Oswalt makes a great proposal in his special Finest Hour . He speaks of being ap...

The Color Wheel, or: An aimless generation

The Color Wheel (2012) Directed by Alex Ross Perry ***SPOILERS*** For some reason, the only comparisons I want to associate with Alex Ross P...